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No woofer, no tweeter, no crossover-
just you and four 4.5" drivers.
By
Nick Batzdorf
One
thing about speaker design is that itll never be finished.
The definitive monitor doesn't exist, and unless there's some
totally new concept yet to be discovered (like holographic models
of the source), it never will. That's why there's room for different
approaches like the one taken by Ambiance Acoustics with their
California Cubes.
As
you read at the top of this article, these monitors use an array
of four identical 4.5 " drivers-there's no woofer and no
tweeter. Since all four drivers are identical and operate across
the full bandwidth, there's no need for a crossover (although
there is a need for an active equalizer that comes with the
monitors). There's also no bi-wiring, bi-amping ... or bicuspids,
for that matter. After verifying that these speakers work fine
with a very small amp (like 50 WPC), we reviewed them using
a very fine Hafler 9505 Trans-Nova with 250 WPC/8 ohms. The
enclosure is a 13 5/8" square cube (outside dimensions),
made of plastic laminate-covered composition board; the whole
thing is very solidly made, with no rattles or cabinet ringing.
A single tuned port in the middle of the driver array faces
forward, and you connect the wires to your typical 5-way binding
posts around back. As to the unusual look of the cabinet (white
background, sort of a chicken wire with drop shadow pattern),
well, it's either your taste or it's not. Other colors are available.
The
design
The advantages to the array-based design are that there's no
crossover distortion and that the bass, while not prominent,
is very tight, even responding down to around 32 Hz as the drivers
couple. Also, because the impedance curves are identical for
all the identical drivers, the monitors maintain a relatively
consistent sound at all volume levels. (I know, Mr. Fletcher;
yes, Mr. Munson.)
The
disadvantage is that there's a very small sweet spot-both horizontal
and vertical dispersion is very limited. And that's not necessarily
bad if the room has problems because the high freqs tend to
stay from the walls.
The
sound
These speakers are very smooth and extremely easy to listen
to, and the response seems to be quite even across the spectrum.
They can also get quite loud without straining. These speakers
aren't particularly open-sounding -- the details and high end,
while certainly there, are not as prominent as I'm used to them
being. But that's not to imply that they're wrong; in fact,
my first reaction to them was that "they sound right." And the stereo imaging
is good, despite the lack of high frequency dispersion.
The
designer actually recommends putting these monitors in comers
to bolster the low end, which is tight but not overpowering;
I trust them more in the traditional NFM position. And these
are definitely designed for nearfield use.
However,
the fact that they like to be against walls (and in comers)
would make the California Cubes an excellent choice for computer
screen flanking -- for instance, users of Pro Tools, Pro Mix
0ls (being controlled remotely via MIDI), and possibly even
those who use MIDI volume extensively. The only catch is that
you have to get them far enough away from the computer monitor
because they're not AV shielded.
Bottom
line, a mellow, pleasant-sounding speaker that you can certainly
trust-and one that you can listen to for hours. Not cheap, but
a very credible contender. And a good choice for those with
problem rooms or those who need to place the monitor against
the walls due to space limitations.
Price:
$1995/pr.
(includes active equalizer)
More
from: Ambiance Acoustics,
P.O. Box 27115, San Diego, CA 92198.
619/485-7514.
| Reprinted with permission. Copyright © 1995 by
Music Maker Publications, Inc.

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